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Same module as the cloud-platform grid on the home page: concentric rings of brand rhombi, breathing. The centre has moved from below the panel to off the left edge, so the rings arrive as vertical arcs, and the rhombus is twelve times the size. The cursor is the one thing that had to change with the size: on the card it moves whole rings, which at this scale is a column sliding as a slab. It answers the way the second pattern’s rows do instead — one spring per arc carrying a strength, with the shape of the swell written as a formula along the arc, so the arc nearest the cursor bulges most, its neighbours less, and the whole thing stays smooth however the springs are moving.
On load the whole field is a uniform scale about the ring centre, easing up from nothing, so it grows out of the point the arcs come from. Because it scales rather than staggers, a ring crosses the left edge when its radius reaches the centre’s distance from it — the outermost first — so the arcs emerge one after another at the left and travel right without any of them being delayed by hand.
Five seconds in, the veil’s own two gradients deepen until they have flooded the page and whichever field is up is gone — the gradient getting heavier, not an edge crossing the screen. The other field is then simply there underneath, whole and in place: under an opaque page there is nothing to watch it arrive through. The white draws back the way it came, uncovering it from the right. It cycles both ways — a turn is uncover, hold, cover, and the field alternates on the turn number, so going back to the arcs is the same code as leaving them. The rows arrive straight and start bending partway through the uncover, every turn rather than once.
A progressive blur and a white wash, both running left to right, sit above the canvas and below the copy. Six backdrop-filtered layers with staggered masks give the blur a smooth ramp rather than six bands; the wash is one masked fill in the field’s own ground colour.